 |
| - |
How
effective are cultural tools in working for social change? |
| - |
Who
owns culture? |
| - |
For
art's sake, what is community? |
| - |
Joining the dots-the
place of the Indigenous in art and culture |
| - |
What relevance
do the arts have in social change? |
| - |
When ethnic dancing
is subversive-re-evaluating multicultural arts |
| - |
Popular and elite,
authentic and excellent-measuring the measures of artistic practice |
|
 |
| - |
Indigenous
arts, land and sustainability |
| - |
Can
the arts change our relationship to land and identity? |
| - |
Art
of and for the planet |
| - |
Creating alliances
between cultural and environment movements |
| - |
Sustainable social
and cultural change-who will be driving it? |
|
 |
| - |
Challenging
the global locally |
| - |
National
culture in a time of subtle (and not so subtle) xenophobia |
| - |
Creating
and subverting popular culture |
| - |
Can culture be
democratised? |
| - |
Multicultural arts-beyond
spaghetti and polka |
|
 |
| - |
The
work of art in the age of mechanical reproduction |
| - |
New
Indigenous media |
| - |
A multicultural
superhighway-new channels, diasporic audiences |
| - |
Virtual spaces-just
how much space? |
| - |
Online communities,
open source cultures, hacker aesthetics |
| - |
Old media and new-how
to develop challenging, relevant content? |
| - |
The cultural dimension
of independent media |
|
